DANI AND ARTHURS BEACH
17th. Feb. 2025
I first saw Dani’s photography on Instagram, beautiful bodies sprawled along beaches, the light soft and striking, the composition effortless. Her work had that perfect blend of sensuality and stillness, a way of making the body feel like part of the landscape rather than separate from it. So when she reached out about a collaboration, I didn’t hesitate.
Not only did I love her photography, but I love meeting other women who are drawn to the human form, to sexual expression, to the simple beauty of aesthetics. There’s something special about working with someone who shares that same appreciation.
We met at a coffee shop, talking about life, art, and everything in between. The conversation flowed easily, and soon we were grabbing extra layers and heading out to Arthur’s Beach, a tucked-away little spot, hidden from the world. The scramble down was muddy, and wet.
It was my first trip to Arthur’s Beach, a well known nudest spot, and I was excited to see the rocks, jagged and beautiful, scattered along the shore like something out of a painting. I stripped off, baring the cold air, icy breeze, knowing it made my nipples look particularly good in the photos. We moved our way along the beach, I felt completely comfortable with Dani, moving freely, stretching out across the stone, finding shapes that felt right.
My feet got cold, my skin pink and numb. At one point, I dipped my bare ass into a freezing rock pool in the name of art.
After we had captured everything we wanted, I bundled back into my warm clothes, and we made our way to the pub. A couple of pints, a little debrief. But the conversation wasn’t just about the shoot, it drifted into life, childhood, past struggles, small wins, big aspirations. What had started as a quick meeting to discuss a photoshoot had turned into one of those exciting chats where you connect with a complete stranger, and they are no longer anywhere close to a stranger. They are hopefully a friend, someone I would love to work with again, to create with, to learn from.
Maggie
5th. Feb. 2025
Some collaborations feel effortless. My recent shoot with Maggie was one of those.
We booked a small cottage in Wales, a quiet, tucked away home with low ceilings, big beds, and a lovely fireplace that made the whole place feel warm and cosy. I was the first to arrive, taking my time to settle in. A bath, a pheasant pie for dinner, the kind of slow evening that lets you sink into a space.
Maggie arrived later than planned, getting used to British roads proved a little trickier than expected, Maggie is from New Zealand, and moved to the uk a few months ago. This was to be our first time meeting, we had spoken over messages, but meeting in person is always different. There’s an energy you can only pick up on when you are in the same room, something you have to feel rather than read.
We sat at the table, warming up to each other in gentle conversation, talking about what we wanted to create together. Our plan for the next day was simple, a Welsh day out. Maggie hadn’t been here before, and it felt right to explore first, to experience the place together before getting naked in front of the camera.
As we talked, I got a clearer sense of her approach to filming. Like me, she cares more about feeling than performance, about rawness and vulnerability rather than ‘porn.’ But our methods are different, Maggie creates vlog style videos, using storytelling and creative license to make them exciting and playful. She shows herself, her personality, before leading into the sensual. For me, that was perfect. It meant we could get to know each other naturally, find our rhythm, and ease into what we were making.
The next morning, we set off for Hay-on-Wye, wandering through its charming streets before heading to the castle. From there, we took the winding road over Hay Bluff, the landscape shifting into something wild and open as we made our way to Llanthony Abbey. That’s where things took a turn for the adventurous. In the rain and wind, we stripped off, jumping around and laughing as we took some beautifully naughty photos. It was playful, raw, completely unplanned, just feeling the moment, the cold air against our skin, the thrill of it all. Our first kiss happened there, wrapped up in that mix of exhilaration and exposure, before we wriggled back into our now quite damp clothes. Needing warmth, we drove to the Skirrid Inn, the oldest inn in Wales, where we sat by the fire, letting the heat soak back into our bodies as we fueled up with food and drink.
That night, we filmed our fireside home movie. There’s a softness in the beginning, a shyness, a quiet curiosity as we kiss, touch, and learn each other’s bodies. It’s slow, unhurried, playful. And then, as we settle into each other, it becomes more natural, more certain. There are little fumbles here and there, because that’s what real sex looks like, and that’s what makes it beautiful.
The most fascinating part is how differently we both approached the final edit. From the same experience, we created two completely unique videos. That’s the beauty of collaboration, not just sharing a moment, but seeing how our creative perspectives diverge and intertwine.
What I took away from this isn’t just a piece of content I love, but inspiration. Maggie’s approach made me think about storytelling in a new way, about weaving more of daily life into my own work. And isn’t that what collaboration is for? To learn, to be inspired, to see through someone else’s lens?
I hope we get to create together again. Maybe next time, somewhere wilder, in a warmer month!
You can find Maggie under @cheekymz basically everywhere.
My First Sex Party
17th. Nov. 2024
I had wanted to go to one for ages, but the opportunity had never quite presented itself. I didn’t have friends who attended, and going alone felt like a daunting leap into the unknown. Until one day, the opportunity found me.
Riot Party, Manchester.
I was invited to show my art at the event, an easy way in, a reason to be there beyond just curiosity. I booked a hotel for the evening, packed up some of my work, and dropped it off at the venue a few hours before the party started. That left me with time to kill, so I treated myself to a naughty takeout and slowly got ready in my hotel room.
Makeup, black lingerie. Sweet, sheer shorts on top, just in case I didn’t feel comfortable in only my pants. A long trench coat to cover myself up as I walked through the city.
The night started quietly. A gin and tonic. Conversations with strangers, a mix of nerves and ease as we spoke about my art, about their lives, about their past experiences at parties like this, and my lack of them. The atmosphere was warm, relaxed, curious. As the evening unfolded, the music got louder, more people filled the space, conversations turned deeper, flirtation lingered longer. Everyone was friendly, kind, welcoming, sexy.
There’s a freedom that comes with dancing in your underwear, wearing something that makes you feel hot and wanted. The energy shifted as the night went on, a slow build of desire and playfulness. Everyone was respectful, well-versed in consent, effortlessly navigating the space with an awareness that made it feel safe, open. There was no pressure, no roles to play, unless, of course, you wanted to. No expectations, only possibilities.
I won’t give you all the details, but I had a lovely night. I connected with someone in a gorgeous way, witnessed beautiful humans expressing themselves freely, intimately, however felt right for them. The voyeur in me was thrilled, taking in the slow, sensual moments happening across the room.
I left feeling light, alive, inspired. And I know I’ll go again.
My First Time Sketching Strangers Having Sex
1st. Nov. 2024
I had sketched people having sex a few times, but it was always people I knew. Those sketches always turned into my favorite paintings. There’s something about catching that raw feeling, that makes it different from working in imagination. Maybe it’s the speed, when the bodies are moving, you don’t have time to overthink or perfect. You have to capture the feeling more than the form.
I knew I wanted my paintings to explore connection, and what better way than to paint people at their most intimate, at their most real? But I only had a limited number of friends I could sketch, So, I put out a call on my socials, looking for couples who might be open to being drawn in such a vulnerable manner. A few reached out, but one couple was particularly close by. We set a date.
I thought I might be nervous, but when the day arrived, I wasn’t. I suppose my comfort with sex branches into all aspects of my life. We started with tea, sitting together and talking about our lives, about what we expected from the session. I reminded them that at any moment, any of us could stop or step away if we felt uncomfortable. It was important to me that trust sat at the center of this experience.
When we finally moved upstairs to the bedroom, I settled in with my sketchbook. They moved as they naturally would, slowly, taking time to warm each other up, to settle into the moment. My sketches were rough and quick, the lines sometimes vague, sometimes wobbly, but the feeling was there. That’s what mattered.
The whole experience felt beautiful. Beautiful to witness a couple so in love, so connected after twenty years together. Beautiful that they felt safe enough to share this moment with me. Beautiful to express it through charcoal and paper.
Afterwards, we went back downstairs. They browsed through my sketches, seeing themselves in my work. We talked a little longer, and I left with a promise that I’d be in touch soon with news of their painting.
I left more excited about painting than I had ever been, with a more grounded understanding of my own opinions, of my own desire to create, of my knowing that erotic art is not about sex; it’s about presence, about seeing beyond the body into the tenderness between souls, and this doesn’t just sit in love, but in lust, in want for acceptance, in desire to be seen, heard, comforted. From gentle kisses to kink driven lashes. From marriage to one night stands. We always connect in one way or another.
Peggy
23rd. Oct. 2024
This photoshoot with Peggy was a little unplanned but the results looked anything but. The morning of I headed into town, browsed some of the charity shops and found this beautiful red fabric that I thought would be a wonderful backdrop for a few photos. The day continued as my photographer and I headed to the train station to pick up penny, and headed to the first of our photo spots. It was a beautiful old mining building, we slowly striped off, posing for photos along the way, and this is when we had our first kiss.
We moved to the grass, giving ourselves space to explore, we started to play with a dominant dynamic, Peggy submitting to me on all fours, collared and willing.
The second spot was a short drive away, a barren landscape filled with rocks and dust and thorny plants, the sun joined us as we lay the deeply red fabric on the ground, we lay down, in soft lingerie and started to explore, slowly touching and moving into one another. A few of these final photos are shown below. They are gentle and calming, soft bodies against rough plants. We escaped just before the rain came in, a successful photo shoot wrapped up.
.png)
Wales
7th. April. 2024
The Welsh countryside has always been my home, I grew up walking mountains and swimming in rivers, and waterfalls. Recently my love of Wales has stretched to the west coast, regularly spending my days sketching on the beaches, or wandering the coastal paths.
On this particular stretch of the path, I set up my camera to capture how the human form interacts with the rugged beauty of the coastline. The cliffs, with their sharp lines and textures, creating a striking contrast to the softness of the body.
Shooting outdoors, especially in such a wild environment, comes with its challenges. The wind was relentless, the footing wasn’t always steady, and the light decided to challenge me by constantly switching from extremely bright to gloomy and dark. But those elements are also what make these images feel real and grounded. There’s no studio setup or controlled environment, just me, the camera, and the landscape.
These images represent more than just a walk along the cliffs, they’re a personal exploration of how we fit into the natural world, how when you strip back to your most basic form, you sink so perfectly into the world around you.
FIRST VIDEO RELEASE!
5th. Feb. 2024
The past few months have been a quiet whirlwind of discovery as I’ve been experimenting with my camera, refining my creative voice, and exploring the many ways I can bring art and intimacy together. Today, I’m excited to share something truly special with you, the first video in what feels like a fresh chapter of my work.
This video is a little different. It’s not just about capturing a moment but about diving deeper into the sensations and emotions that make those moments meaningful. Filmed on my bed, bathed in the soft warmth of gentle lighting, the video has a calm, reflective pace that feels deeply personal. It begins with me speaking about the experience, a new step for me, and one that I found surprisingly freeing.
What makes this piece especially exciting is that I’m experimenting with something I’ve never used before, a glass toy. The coolness of the glass against my skin was an entirely new sensation, unexpected, and so wonderfully unique. It opened up a completely different side of exploration for me, one I was excited to share. The way the glass warms slowly to the heat of the body, its smooth texture gliding effortlessly, made the experience both grounding and exhilarating. Filming it felt like letting you in on an intimate secret, one that was as much about discovery as it was about pleasure.
This video marks the beginning of a new creative era for me, one where I feel more willing to play and try new things, not just in terms of props or techniques, but in how I tell my story. Talking about the experience at the start of the video allowed me to bring a new layer of connection to my work. It felt like opening the door a little wider, letting you see more of the thought and emotion behind what I do.
If you would like to see my new video "Glass Butt Plug" it is available on my Onlyfans.
A NEW STYLE OF WORK
1th. Feb. 2024
In a couple of months I will have been creating pornographic content for a whole year! And so far I have loved this journey, I love filming my naughty side for you all to see, I love sharing my sexual secrets with you, becoming friends with you and learning about all your wonderful kinks and fantasies.
As you probably know I am an artist and I came into this sector of sex work wanting to bring my artist style with me, but I have been grappling with a few things in the process, one of which is watching the videos I create back in enough detail to edit them, this might seem ridiculous because I probably come across as quite a confident person, but it is only recently that I have found the confidence and self love to fully watch all the naughty things I get up to without judging the way I look, or my awkward movements, my unposed facial expressions, and the sounds that I make. I guess because I don’t act in my videos and instead I film my real feelings, the videos I create feel very vulnerable.
This past month I have been really focused on creative exploration and figuring out how I want to continue in this industry, and I think I am starting to develop a style that I love creating, love editing, love watching and am really proud to share with the world.
I still have so much to learn, especially when it comes to the more technically side of filming but I have this feeling like I have found my aesthetic, I want to create pornographic images and films that feel like an artwork in their own right and I am so excited about that.
Anyway today felt like the perfect time to share this as Imbloc, is the time of something special, stirring, waiting to emerge into the world, and I hope that my current vision will grow and develop, this coming year.
